Art History and Archaeology at CAA 2018 Annual Conference

 

We are excited about our Department's participation at the College Art Association’s 2018 Annual Conference in Los Angeles, California.  Listed below are panels involving our faculty, graduate students, alums, and postdoctoral fellows.

“ARCHIVES, DOCUMENTS, EVIDENCE”
 
Time: 02/21/2018: 2:00PM–3:30PM
Location: Room 409B
 
“The Ekphrastic Impulse: Accounting for Lost and Unfinished Art”
Emily J. Hanson, Washington University in St. Louis
 
“Archival Testimonies on the Role of Artists in the Accademia del Disegno”
Carlotta Paltrinieri, Indiana University Bloomington
 
“Of Mixed Origins: Tracing Michał Boym’s ‘Sum Xu'”
Tomasz Grusiecki, McGill University
 
“Attributing the Highcliffe Watercolors: W. J. Burchell, Louisa Anne Beresford, Charlotte Canning, and Nineteenth-Century British Landscape Painting”

Maria Cristina Wolff de Carvalho, Fundação Armando Alvares Penteado – FAAP

 

“DESTABILIZING THE GEOGRAPHIC IN MODERN AND CONTEMPORARY ART”

Time: 02/23/2018: 6:00PM–7:30PM

Location: Room 406B

Chairs: Kailani Polzak, Williams College; Tatiana Reinoza, Dartmouth College

“Mapping Senufo: Mapping as a Method to Undermine Colonial Histories”
Susan Elizabeth Gagliardi, Emory University

“Indigenous Prints and Place-making in the Pacific Northwest”
India Rael Young, Princeton University Art Museum

“The Lawless Line: Mapping Extrarritoriality”
Noah Simblist, VCU School of the Arts

“Standardization, Censorship, Systems: Artist Perambulations through Google Earth”
Ila Nicole Sheren, Washington University in St. Louis

 

“RESTORATION AND THE ARCHITECTURE OF THE GLOBAL MIDDLE AGES”

Time: 02/22/2018: 2:00PM–3:30PM
Location: Room 505

Chair: Jenny H. Shaffer, School of Professional Studies, New York University

“Architecture as Incomplete Collection: Renovation and Spoliate Decoration in the Civic Monuments of the Italian Maritime Republics”
Karen Rose Mathews, University of Miami

“Phantom Spires and the Memory of Gothic Normandy”
Kyle G. Sweeney, Rice University

“Picasso’s “Temple of War and Peace”: Subverting the French Medieval Tradition”
Heather Read, Washington University in St. Louis

 

“INTERNATIONAL ABSTRACTION AFTER WORLD WAR II: THE US, FRANCE, GERMANY, AND BEYOND”

Time: 02/21/2018: 8:30AM–10:00AM
Location: Room 410

Chair: Sabine Eckmann, Washington University in St. Louis; Angela Miller, Washington University in St. Louis

“Postwar Abstract Sculpture as War Monument”
Robert Slifkin, Institute of Fine Arts, NYU

“Action painting, Georges Mathieu and “spectacle””
AnnMarie Perl, Princeton University

“Modernism’s Immanent Aesthetics: Abstract Painting between New Music and Fluxus”
Natilee Harren, University of Houston

Discussants: Sabine Eckmann, Washington University in St. Louis; Angela Miller, Washington University in St. Louis

 

“TIME, SPACE, MOVEMENT: ART BETWEEN PERCEPTION, IMAGINATION, AND FICTION”

Time: 02/24/2018: 2:00PM–3:30PM
Location: Room 406A

Chairs: Nathaniel B. Jones, Washington University in St. Louis; James P. Anno, Museo e Real Bosco di Capodimonte

“Falling through Time: Moti and the Problem of Temporal Continuity c. 1600”
Carla Benzan, McGill University

“Space, Time, and Motion in Maziar Moradi’s Ich Werde Deutsch”
Peter Chametzky, University of South Carolina

Picture Studies: Relief before and since 1900″
Henrike Christiane Lange, University of California, Berkeley

“Playing Dead: The “Mirakelmann” of Döbeln”
Michelle Oing, Yale University

 

“ARTISTIC AFTERLIVES, OR RETHINKING NACHLEBEN”

Time: 02/22/2018: 10:30AM–12:00PM
Location: Room 404A

Chair: Hector Reyes, University of Southern California

“Invention of the Past: Géricault’s Failed Poussinisme”
Hector Reyes, University of Southern California

“Learning from Leonardo in 19th Century France ”
Allan Doyle, University of Puget Sound

“Roll Camera: Paul Gauguin, The Moon and Sixpence, and the War in the Pacific ”
Alexis Clark, Washington University in St. Louis

Discussant: Jeremy Melius, Tufts University